Dry and nearing ruin, the monument to Douglas MacArthur in MacArthur park should be a model for all the bronze figures, concrete fountains, and steel plaques that glorify war as the greatest human cultural achievement.
Monday, March 31, 2008
Sunday, March 30, 2008
Saturday, March 29, 2008
OUT OF SIGHT, OUT OF MIND
Friday, March 28, 2008
BORED, HOMELESS
Thursday, March 27, 2008
Wednesday, March 26, 2008
Tuesday, March 25, 2008
PHYSICALLY FIT
Monday, March 24, 2008
Sunday, March 23, 2008
Saturday, March 22, 2008
TORTURE
above/middle, sculptures by artist Dan Flavin at LACMA's retrospective
below, sunglasses issued to LACMA security guards who were getting sick from the Flavin sculptures
Friday, March 21, 2008
Thursday, March 20, 2008
THE GOLDEN PURSE
Many individuals who call themselves "progressive" are deeply committed to the arts, frequenting museums and galleries, yet critical of consumer culture. Unfortunately they fail to recognize that a $12,000 purse can be a work of art, while a $200 million painting is nothing more than fashionable decor. Both are expressions of consumer desire.
Wednesday, March 19, 2008
Tuesday, March 18, 2008
Monday, March 17, 2008
Sunday, March 16, 2008
Saturday, March 15, 2008
PLASTIC SURGERY AS STATUS SYMBOL
Friday, March 14, 2008
PLASTIC SURGERY & AGING
When younger people get face lifts, Botox, and bad nose jobs it frequently makes them look older than they are. This is because the recognizable nerve damage, facial paralysis, and deformity that accompany such procedures are primarily associated with old age. This is also because the plastic surgery aesthetic used to be more exclusive to an older crowd.
Thursday, March 13, 2008
FROM STONE TO FLESH
ABOVE, The Goddess Sarasvati, 1153
MIDDLE, Anime figurine, 2007
BELOW, Heidi Montag, 2007
Wednesday, March 12, 2008
Tuesday, March 11, 2008
THE CAR CHASE
The live broadcast of car chases on local Los Angeles television affiliates is the most exciting programming around, even though very little actually happens during these pursuits. What sets the chase apart from other programming is its contrary format. Unlike other live events, chases unfold entirely on camera. They start in the middle, have no predictable end, and can last for hours. And although they tend to be visually monotonous, usually shot as a single long take, their improvised commentary (collaboratively provided by anchors, reporters, and police) is highly entertaining.